Ev's Story III: The Fates
St. Paul, Minnesota 1943-1945
Hands across my sister's pregnant swell,
We guess. Is this a head? No, no.
It's soft. It must be the other end!
The babies keep Tony home
from war. My dreamed belly splits wide--
Roy comes out in army green and sweat,
crouched beside a mine. He sweeps
the earth and leaves away
the way my sister strokes
her baby's hair. Safe now,
a column of soldiers passes by.
They liberate Buchenwald.
The general is unequivocal: no one
can forget, though many may try. Home,
Roy brings a book of skulls,
glimpses of black-striped cloth.
I see limp fingers, bruised feet,
faces, faces, faces. They are
unbearably heavy. Roy
tells of skeletal men who, with their hands, hid
their nakedness from the camera's
unforgiving eye, the way their shy
smiles remembered a decorous
time of starched tablecloths and suits,
pressed. Roy is different now:
his early gray, the lines around his mouth.
The way he hates loud noises.
The way he will not dance.
Roy never speaks of our small loss.
From the shelf, the war album accuses:
how can you complain? I dust the china
cabinet glass, careful not to make a sound.
Hands across my sister's pregnant swell,
We guess. Is this a head? No, no.
It's soft. It must be the other end!
The babies keep Tony home
from war. My dreamed belly splits wide--
Roy comes out in army green and sweat,
crouched beside a mine. He sweeps
the earth and leaves away
the way my sister strokes
her baby's hair. Safe now,
a column of soldiers passes by.
They liberate Buchenwald.
The general is unequivocal: no one
can forget, though many may try. Home,
Roy brings a book of skulls,
glimpses of black-striped cloth.
I see limp fingers, bruised feet,
faces, faces, faces. They are
unbearably heavy. Roy
tells of skeletal men who, with their hands, hid
their nakedness from the camera's
unforgiving eye, the way their shy
smiles remembered a decorous
time of starched tablecloths and suits,
pressed. Roy is different now:
his early gray, the lines around his mouth.
The way he hates loud noises.
The way he will not dance.
Roy never speaks of our small loss.
From the shelf, the war album accuses:
how can you complain? I dust the china
cabinet glass, careful not to make a sound.